Some people will never accept proof of extraterrestrial life, no matter how convincing, Loeb expects. Has he considered how an unambiguous picture of a UAP would land on the collective psyche? While Loeb may be professionally indifferent to the findings, I’m not - and I seriously doubt the average person would be. The data and analysis will be publicly released, but only after those results have been vetted and published in scientific journals - a top-down strategy intended to ensure quality control. Rather, it’s aimed primarily at his scientific colleagues.
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“The Galileo Project is not a publicity stunt aimed to satisfy the hunger on social media for UAP or ISO research,” he told me by e-mail. If all it reels in are migratory birds and man-made satellites, he’ll be perfectly happy. Loeb compares the project to a fishing expedition. Scientists believe we’re far more likely to encounter a galaxy-traversing drone than, say, a species of galaxy-traversing space octopi. The film remains as haunting today as when it premiered in 1968. Instead, his film would focus on humanity’s encounter with alien technology - those eerie black monoliths - rather than with the aliens themselves. As the film ended, one of these spindly space creatures would reach down and take the astronaut Dave Bowman by the hand and together they would walk off into the sunset.Įventually, Kubrick realized it was foolish to try to imagine what is beyond human imagination. He wanted his ETs to be just as thin and gangly, but 20 feet high. He dragged his visual effects team to a Giacometti exhibit at the Museum of Modern Art and pointed to the humanoid sculptures. For three years, the director fussed over proposed models, even recruiting his wife, Christiane, to sculpt aliens out of clay in her art studio. If you are interested in participating in this fund you may read more about it here.While preparing to shoot 2001: A Space Odyssey, Stanley Kubrick obsessed over the look of his cinematic extraterrestrials. “It complements our extensive collection of psychical research and spiritualist archives and puts Winnipeg on the map as the preeminent destination for the study of the paranormal.”ĭuring this event, Archives will also be launching a crowdfunding project to support the digitization and maintenance of Rutkowski’s collection, titled the UFOs in Canada Archival Fund. “This unique and intriguing historical collection will greatly add to our understanding of the study of UFOs, and will attract students and researchers to study these phenomena for a whole range of reasons,” says Shelley Sweeney, head, Archives & Special Collections. Others can now re-examine firsthand accounts of these mysterious happenings, including where, when and how often these reports have been made.
His voluminous collection of photos, research notes, reports, publications, ufozines, and other documents will be available to the public for the first time. To date he has published 10 books on UFOs and related subject matter, focusing on the Canadian experience. Rutkowski began investigating UFO sightings, researching and collecting materials in 1975, and since then has written and published about his studies and views on unusual phenomena. Rutkowski’s files on the Falcon Lake case will be part of this collection.
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These include more than 20,000 separate UFO reports filed with various agencies since 1989, almost 10,000 Canadian government UFO documents, plus more than 1,000 books from Rutkowski’s personal library on UFOs and related phenomena. The talk and presentation mark Rutkowski’s donation to University of Manitoba Archives & Special Collections of his extensive personal collection and files on this case and other UFO sightings and related phenomena from across Canada. During the event, for the first time ever, Stefan’s shirt and hat that were burned during the event will be on public display.
Rutkowski will be joined by Stefan’s son Stan Michalak, who was nine years old when his dad had this encounter. Chris Rutkowski (BSc/83, MEd/92), a prominent Canadian ufologist, will give a talk about this remarkable incident on November 7, 2019, at 7:00 pm, in Archives & Special Collections.
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